{"id":19422,"date":"2023-01-18T15:48:48","date_gmt":"2023-01-18T07:48:48","guid":{"rendered":"https:\/\/www.hkmu.edu.hk\/cwfa\/?p=19422"},"modified":"2023-01-26T10:37:57","modified_gmt":"2023-01-26T02:37:57","slug":"dr-leung-mo-ling-rebecca","status":"publish","type":"post","link":"https:\/\/www.hkmu.edu.hk\/cwfa\/head\/dr-leung-mo-ling-rebecca\/","title":{"rendered":"Dr. LEUNG Mo Ling Rebecca"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"19422\" class=\"elementor elementor-19422\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"has_eae_slider wavo-column-gap-default elementor-section elementor-top-section elementor-element elementor-element-2e855dd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2e855dd\" data-element_type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[{&quot;_id&quot;:&quot;ed00bdf&quot;,&quot;jet_parallax_layout_image&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_image_tablet&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_image_mobile&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_speed&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:50,&quot;sizes&quot;:[]},&quot;jet_parallax_layout_type&quot;:&quot;scroll&quot;,&quot;jet_parallax_layout_direction&quot;:null,&quot;jet_parallax_layout_fx_direction&quot;:null,&quot;jet_parallax_layout_z_index&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x&quot;:50,&quot;jet_parallax_layout_bg_x_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y&quot;:50,&quot;jet_parallax_layout_bg_y_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size&quot;:&quot;auto&quot;,&quot;jet_parallax_layout_bg_size_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_animation_prop&quot;:&quot;transform&quot;,&quot;jet_parallax_layout_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;]}]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-5bb07f66\" data-id=\"5bb07f66\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-45b4351f elementor-widget elementor-widget-image\" data-id=\"45b4351f\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"960\" height=\"640\" src=\"https:\/\/www.hkmu.edu.hk\/cwfa\/wp-content\/uploads\/sites\/65\/2023\/01\/Copy-of-181101_2759LR-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/www.hkmu.edu.hk\/cwfa\/wp-content\/uploads\/sites\/65\/2023\/01\/Copy-of-181101_2759LR-1024x683.jpg 1024w, https:\/\/www.hkmu.edu.hk\/cwfa\/wp-content\/uploads\/sites\/65\/2023\/01\/Copy-of-181101_2759LR-300x200.jpg 300w, https:\/\/www.hkmu.edu.hk\/cwfa\/wp-content\/uploads\/sites\/65\/2023\/01\/Copy-of-181101_2759LR-768x512.jpg 768w, https:\/\/www.hkmu.edu.hk\/cwfa\/wp-content\/uploads\/sites\/65\/2023\/01\/Copy-of-181101_2759LR-500x333.jpg 500w, https:\/\/www.hkmu.edu.hk\/cwfa\/wp-content\/uploads\/sites\/65\/2023\/01\/Copy-of-181101_2759LR.jpg 1440w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-18c2d325\" data-id=\"18c2d325\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-315b0ab1 elementor-widget elementor-widget-text-editor\" data-id=\"315b0ab1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"fusion-text\"><div class=\"fusion-text\"><h3 data-fontsize=\"34\" data-lineheight=\"50\"><strong><br \/>Dr. Leung Mo Ling Rebecca<br \/><\/strong><\/h3><h3 data-fontsize=\"24\" data-lineheight=\"33\">\u6881\u6155\u9748\u535a\u58eb<\/h3><\/div><p><strong>BA (Hons)\u00a0<em>CUHK<\/em>, MPhil\u00a0<em>CUHK<\/em>, PhD\u00a0<em>CUHK<\/em><\/strong><\/p><p><strong>PGCE\u00a0<em>HKU<\/em><\/strong><\/p><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_eae_slider wavo-column-gap-default elementor-section elementor-top-section elementor-element elementor-element-fb98ede elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fb98ede\" data-element_type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[{&quot;_id&quot;:&quot;935a02c&quot;,&quot;jet_parallax_layout_image&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_image_tablet&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_image_mobile&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_speed&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:50,&quot;sizes&quot;:[]},&quot;jet_parallax_layout_type&quot;:&quot;scroll&quot;,&quot;jet_parallax_layout_direction&quot;:null,&quot;jet_parallax_layout_fx_direction&quot;:null,&quot;jet_parallax_layout_z_index&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x&quot;:50,&quot;jet_parallax_layout_bg_x_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y&quot;:50,&quot;jet_parallax_layout_bg_y_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size&quot;:&quot;auto&quot;,&quot;jet_parallax_layout_bg_size_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_animation_prop&quot;:&quot;transform&quot;,&quot;jet_parallax_layout_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;]}]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-3e559c5\" data-id=\"3e559c5\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-fea9ec5 elementor-icon-list--layout-traditional elementor-list-item-link-full_width elementor-widget elementor-widget-icon-list\" data-id=\"fea9ec5\" data-element_type=\"widget\" data-widget_type=\"icon-list.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<ul class=\"elementor-icon-list-items\">\n\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"fa fa-check\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\"><b>Head of Creative Arts cum Associate Professor<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t<a href=\"https:\/\/www.hkmu.edu.hk\/as\/\">\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"fa fa-times\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">School of Arts and Social Sciences<\/span>\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"fa fa-dot-circle-o\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">rmlleung@hkmu.edu.hk<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t<li class=\"elementor-icon-list-item\">\n\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-icon\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<i class=\"fa fa-check\" aria-hidden=\"true\"><\/i>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-icon-list-text\">31202511<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-11cdd3a\" data-id=\"11cdd3a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1913c3e my-style1 elementor-widget elementor-widget-text-editor\" data-id=\"1913c3e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Biography<\/strong><\/h3><h5>Dr. Rebecca Leung Mo-Ling, received her BA, MPhil, and PhD in Chinese from the Chinese University of Hong Kong, and obtained Postgraduate Certificate in Education from the University of Hong Kong. She is currently Head of Creative Arts cum Associate Professor in creative writing and film arts of the School of Arts and Social Sciences at HKMU. She is also the Director of the HKMU Tin Ka Ping Centre of Chinese Culture. Prior to joining the HKMU, she worked as an Assistant Professor, as the Associate Head of the Department of Chinese and Deputy Director of the Institute for Chinese Language &amp; Culture at Hang Seng Management College. She has published numerous papers in renowned journals such as <em>Tsing Hua Journal of Chinese Studies\u00a0<\/em>and\u00a0<em>Bulletin of the Department of Chinese Literature National Chengchi University<\/em>. Her research interests lie primarily in the area of Chinese modern literature, Chinese contemporary literature and cultural &amp; film theory. Apart from academic research, she is also enthusiastic in creative writing. She obtained the prestigious \u201cUnitas Award for New Novelists\u201d in Taiwan in 2002.<\/h5><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Teaching Areas &amp; Research Interests<\/strong><\/h3><ul><li class=\"style1\">Chinese Modern Literature<\/li><li class=\"style1\">Chinese Contemporary Literature<\/li><li class=\"style1\">Cultural &amp; Film theory<\/li><li class=\"style1\">Creative Writing<\/li><\/ul><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Academic &amp; Professional Experience<\/strong><\/h3><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Award<\/strong><\/h3><h5>\u4ee5\u3008\u6545\u4e8b\u7684\u788e\u7247\u3009\u7372\u5f97\u81fa\u7063\u300a\u806f\u5408\u6587\u5b78\u300b\u7b2c\u5341\u516d\u5c46\u5c0f\u8aaa\u65b0\u4eba\u734e\u77ed\u7bc7\u5c0f\u8aaa\u9996\u734e(Unitas Award for New Novelists) (2002)<\/h5><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Grant &amp; Funding<\/strong><\/h3><h5>Principal investigator, Self-financing Post-Secondary Education Fund, Quality Enhancement Support Scheme (QESS), \u201d Developing Language Proficiency for Post-Secondary Students: Online Assessment and Self-learning of Putonghua through gamification and automation\u201d, Education Bureau, HK$1,995,284\u00a0(PI: Dr. Leung Mo Ling Rebecca; Co-I: Prof. Cheung Kwong Yue and Ms Lau Wai), 2013-2014.<\/h5><h5>Principal investigator, Grant for Publication, \u201d\u00a0<em>An Alternate Imagination of China:\u00a0From\u00a0Liu Na'ou, Mu Shiying\u00a0to\u00a0Eileen Chang<\/em>\u201c, Hong Kong Arts Development Council, HK$36,400, 2016-2017.\u00a0(withdrawn)<\/h5><h5>Principal investigator, Research and Development Grant, FDS project, \u201cShaping and Being Shaped by Multiple Cultural Fields: An Analysis of Newspaper Coverage of Eileen Chang in China, Hong Kong, and Taiwan\u201d, Research Grants Council, HK$496, 900\u00a0(Ref. no: UGC\/FDS16\/H02\/17), 2017-2018.<\/h5><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Creative Writing<\/strong><\/h3><ul><li>\u6881\u6155\u9748\uff1a\u3008\u7d05\u8393\u8a18\u3009\uff0c\u53f0\u5317\uff1a\u300a\u806f\u5408\u6587\u5b78\u300b(2003\u5e7412\u6708\u865f)\uff0c\u9801116-129\uff1b\u4e26\u6536\u9304\u65bc\u300a\u53f0\u6e2f\u6587\u5b78\u9078\u520a\u300b(2005\u5e74\u7b2c3\u671f)\uff0c\u98017-21\u3002<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5c0f\u8aaa\u554f\u7b54\u3009\uff0c\u53f0\u5317\uff1a\u300a\u806f\u5408\u6587\u5b78\u300b(2003\u5e7412\u6708\u865f)\uff0c\u9801112-115\u3002<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u80f8\u570d\u3009\uff0c\u9999\u6e2f\uff1a\u300a\u660e\u5831\u2027\u4e16\u7d00\u7248\u300b\uff0c2003\u5e741\u670823\u65e5\u3002<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u6545\u4e8b\u7684\u788e\u7247\u3009\uff0c\u53f0\u5317\uff1a\u300a\u806f\u5408\u6587\u5b78\u300b(2002\u5e7411\u6708\u865f)\uff0c\u980142-55\uff0c\u4e26\u5165\u9078\u53f0\u7063\u4e5d\u6b4c\u51fa\u7248\u793e\u300a\u4e5d\u5341\u4e00\u5e74\u5c0f\u8aaa\u9078\u300b\uff0c\u6536\u9304\u65bc\u8881\u74ca\u74ca\u7de8\uff1a\u300a\u4e5d\u5341\u5e74\u5c0f\u8aaa\u9078\u300b(\u53f0\u5317\uff1a\u4e5d\u6b4c\u51fa\u7248\u793e\uff0c2003\u5e74)\uff0c\u9801243-269\u3002<\/li><\/ul><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Selected Publications<\/strong><\/h3><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Books<\/strong><\/h3><ul><li>\u6881\u6155\u9748\uff1a\u300a\u8996\u89ba\u3001\u6027\u5225\u8207\u6b0a\u529b\uff1a\u5f9e\u5289\u5436\u9dd7\u3001\u7a46\u6642\u82f1\u5230\u5f35\u611b\u73b2\u7684\u5c0f\u8aaa\u60f3\u50cf\u300b\uff0c\u53f0\u5317\uff1a\u806f\u7d93\u51fa\u7248\u793e\uff0c2018\u5e74\u3002<\/li><li>\u5289\u6587\u82f1\u3001\u6881\u6155\u9748\u3001\u9ec3\u6a39\u57fa\u7de8\uff1a\u300a\u535a\u7269\u9928\u7684\u8b8a\u8207\u4e0d\u8b8a\uff1a\u9999\u6e2f\u548c\u5176\u4ed6\u5730\u5340\u7684\u7d93\u9a57\u300b\uff0c\u9999\u6e2f\uff1a\u9999\u6e2f\u516c\u958b\u5927\u5b78\u6578\u78bc\u6587\u5316\u8207\u4eba\u6587\u5b78\u79d1\u7814\u7a76\u6240\uff0c2018\u5e74\u3002<\/li><li>\u8b5a\u570b\u6839\u3001\u6881\u6155\u9748\u3001\u9ec3\u81ea\u9d3b\u7de8\uff1a\u300a\u6578\u78bc\u6642\u4ee3\u7684\u4e2d\u570b\u4eba\u6587\u5b78\u79d1\u7814\u7a76\u300b\uff0c\u53f0\u5317\uff1a\u79c0\u5a01\u8cc7\u8a0a\u79d1\u6280\uff0c2018\u5e74\u3002<\/li><\/ul><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Book Chapters<\/strong><\/h3><ul><li>\u6881\u6155\u9748\uff1a\u3008\u5f9e\u4e2d\u570b\u8a00\u60c5\u5c0f\u8aaa\u50b3\u7d71\u770b\u5927\u9678\u7db2\u7d61\u5c0f\u8aaa\u7279\u8272\u2500\u2500\u4ee5\u6850\u83ef\u300a\u6b65\u6b65\u9a5a\u5fc3\u300b\u70ba\u4f8b\u3009\uff0c\u8b5a\u570b\u6839\u3001\u6881\u6155\u9748\u3001\u9ec3\u81ea\u9d3b\u7de8\uff1a\u300a\u6578\u78bc\u6642\u4ee3\u7684\u4e2d\u570b\u4eba\u6587\u5b78\u79d1\u7814\u7a76\u300b\uff0c\u53f0\u5317\uff1a\u79c0\u5a01\u8cc7\u8a0a\u79d1\u6280\uff0c2018\u5e74\uff0c\u9801163-182\u3002<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u4e2d\u570b\u6587\u5b78\u8207\u6b77\u53f2\u6587\u5316\u53f2\u6599\u7684\u5c55\u793a\u548c\u6578\u78bc\u5316\u5efa\u8a2d\u7684\u601d\u8003\u2500\u2500\u4ee5\u5317\u4eac\u4eba\u85dd\u6232\u5287\u535a\u7269\u9928\u548c\u9996\u90fd\u535a\u7269\u9928\u70ba\u4f8b\u3009\uff0c\u5289\u6587\u82f1\u3001\u6881\u6155\u9748\u3001\u9ec3\u6a39\u57fa\u7de8\uff1a\u300a\u535a\u7269\u9928\u7684\u8b8a\u8207\u4e0d\u8b8a\uff1a\u9999\u6e2f\u548c\u5176\u4ed6\u5730\u5340\u7684\u7d93\u9a57\u300b\uff0c\u9999\u6e2f\uff1a\u9999\u6e2f\u516c\u958b\u5927\u5b78\u6578\u78bc\u6587\u5316\u8207\u4eba\u6587\u5b78\u79d1\u7814\u7a76\u6240\uff0c2018\u5e74\uff0c\u980136-43\u3002<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5f9e\u4e0a\u6d77\u5230\u9999\u6e2f\uff1a\u8ad6\u7a46\u6642\u82f1\u7b46\u4e0b\u7684\u539f\u9109\u8207\u4ed6\u9109\u3009\uff0c\u9999\u6e2f\u516c\u5171\u5716\u66f8\u9928\u7de8\uff1a\u300a\u7b2c\u5341\u4e00\u5c46\u9999\u6e2f\u6587\u5b78\u7bc0\u7814\u8a0e\u6703\u8ad6\u7a3f\u532f\u7de8\u300b\uff0c\u9999\u6e2f\uff1a\u9999\u6e2f\u516c\u5171\u5716\u66f8\u9928\uff0c2017\u5e74\uff0c\u9801177-198\u3002<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u8ad6\u5f35\u611b\u73b2\u7684\u96e2\u6563\u610f\u8b58\u8207\u665a\u671f\u5c0f\u8aaa\u98a8\u683c\u3009\uff0c\u5289\u77f3\u5409\u7b49\u4e3b\u7de8\uff1a\u300a\u9077\u5f99\u8207\u8a18\u61b6\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\u300b\uff0c\u9ad8\u96c4\uff1a\u570b\u7acb\u4e2d\u5c71\u5927\u5b78\u4eba\u6587\u7814\u7a76\u4e2d\u5fc3\u3001\u570b\u7acb\u4e2d\u5c71\u5927\u5b78\u6587\u5b78\u9662\uff0c2013\u5e7412\u6708\uff0c\u980189-111\u3002(Peer-reviewed)<\/li><\/ul><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Journal Articles<\/strong><\/h3><ul><li>\u6881\u6155\u9748\uff1a\u3008\u79e9\u5e8f\u7684\u7dad\u6301\u8207\u7834\u58de\uff1a\u8ad6\u6751\u4e0a\u6625\u6a39\u300a1Q84\u300b\u4e2d\u7684\u502b\u7406\u3001\u8a18\u61b6\u8207\u5f8c\u73fe\u4ee3\u6027\u3009(Preservation and Destruction of Order: An Analysis of Ethics, Memory, and Postmodernism in Murakami Haruki's 1Q84)\uff0c\u907c\u5be7\u5927\u5b78\u65e5\u672c\u7814\u7a76\u6240\uff1a\u300a\u65e5\u672c\u7814\u7a76\u300b(Japan Studies) \u7e3d166\u671f(2018\u5e74\u7b2c3\u671f)\uff0c\u980190-96\u3002(Refereed)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5927\u5b78\u5275\u610f\u5beb\u4f5c\u6559\u5b78\u7684\u8a2d\u8a08\u8207\u679c\u6548\u2500\u2500\u4ee5\u9999\u6e2f\u5927\u5c08\u9662\u6821\u70ba\u4f8b\u3009(Teaching Creative Writing at University Level: A Discussion of Recent Developments in Hong Kong)\uff0c\u8f09\u6e58\u6f6d\u5927\u5b78\uff0c\u300a\u6e58\u6f6d\u5927\u5b78\u5b78\u5831(\u54f2\u5b78\u793e\u6703\u79d1\u5b78\u7248)\u300b(Journal of Xiangtan University (Philosophy and Social Science)) \u7b2c40\u5377\u7b2c1\u671f(2016\u5e741\u6708)\uff0c\u980193-96\u3002(CSSCI\u3001\u5317\u5927\u6838\u5fc3\u671f\u520a)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5973\u6027\u96e2\u6563\u8005\u7684\u81ea\u6211\u8ad6\u8ff0\uff1a\u8ad6\u5f35\u611b\u73b2\u5f8c\u671f\u4f5c\u54c1\u4e2d\u7684\u96e2\u6563\u610f\u8b58\u3009(Self-Narration of a Female Diaspora: An Examination of Diaspora Consciousness in Eileen Chang's Late Works)\uff0c\u8f09\u5317\u4eac\u5927\u5b78\u4e2d\u570b\u8a9e\u8a00\u6587\u5b78\u7cfb\u53ca\u9999\u6e2f\u4e2d\u6587\u5927\u5b78\u4e2d\u570b\u8a9e\u8a00\u53ca\u6587\u5b78\u7cfb\uff0c\u300a\u4e2d\u570b\u6587\u5b78\u5b78\u5831\u300b (Journal of Chinese Literature)\u7b2c6\u671f(2015\u5e7412\u6708)\uff0c\u9801227-256\u3002(Refereed)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u6027\u5225\u8207\u8996\u89ba\uff1a\u5f9e\u7a46\u6642\u82f1\u5230\u5f35\u611b\u73b2\u5c0f\u8aaa\u7684\u300c\u8996\u89ba\u6027\u300d\u8b8a\u5316\u3009(Gender and Gaze: The Transformation of Visuality From Mu Shiying's Novels to Eileen Chang's Novels)\uff0c\u8f09\u53f0\u7063\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u5b78\u6703\uff0c\u300a\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u534a\u5e74\u520a\u300b(Modern Chinese Literature)\u7b2c27\u671f(2015\u5e746\u6708)\uff0c\u9801183-208\u3002(THCI)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u6df7\u7a2e\u6587\u5316\u7ffb\u8b6f\u8005\u7684\u51dd\u8996\u2500\u2500\u8ad6\u5289\u5436\u9dd7\u5c0d\u6b96\u6c11\u4e3b\u7fa9\u6587\u5b78\u7684\u5f15\u5165\u548c\u8f49\u5316\u3009(The Gaze of a Hybrid-cultural Translator: A Discussion on Liu Na'ou's Introduction and Transformation of Colonial Literature)\uff0c\u8f09\u570b\u7acb\u6e05\u83ef\u5927\u5b78\u51fa\u7248\u793e\uff0c\u300a\u6e05\u83ef\u5b78\u5831\u300b(Tsing Hua Journal of Chinese Studies)\u65b044\u5377\u7b2c3\u671f(2014\u5e749\u6708)\uff0c\u9801459-502\u3002 (THCI Core)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5f35\u611b\u73b2\u5c0f\u8aaa\u7684\u7248\u672c\u554f\u984c\uff1a\u4ee5\u300a\u7b2c\u4e00\u7210\u9999\u300b\u3001\u300a\u7b2c\u4e8c\u7210\u9999\u300b\u548c\u300a\u8309\u8389\u9999\u7247\u300b\u70ba\u4f8b\u3009\uff0c\u8f09\u81fa\u7063\u66f8\u76ee\u5b63\u520a\u793e\uff0c\u300a\u66f8\u76ee\u5b63\u520a\u300b(Bibliography Quarterly )\u7b2c48\u5377\u7b2c1\u671f(2014\u5e746\u6708)\uff0c\u980187-107\u3002(Refereed)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u60f3\u50cf\u4e2d\u570b\u7684\u53e6\u4e00\u7a2e\u65b9\u6cd5\uff1a\u8ad6\u5289\u5436\u9dd7\u3001\u7a46\u6642\u82f1\u548c\u5f35\u611b\u73b2\u5c0f\u8aaa\u7684\u300c\u8996\u89ba\u6027\u300d\u3009(An Alternative Imagination of China: A Study of 'Visuality' in Liu Na'ou, Mu Shiying and Eileen Chang's Fictions)\uff0c\u8f09\u570b\uf9f7\u653f\u6cbb\u5927\u5b78\u4e2d\u6587\u7cfb\uff0c\u300a\u653f\u5927\u4e2d\u6587\u5b78\u5831\u300b(Bulletin of the Department of Chinese Literature National Chengchi University)\u7b2c19\u671f(2013\u5e746\u6708)\uff0c\u9801219-260\u3002(THCI Core)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u300c\u9670\u6027\u300d\u7684\u6050\u61fc\u8207\u8ff7\u6200\uff1a\u8ad6\u83ab\u8a00\u5c0f\u8aaa\u4e2d\u7684\u5275\u50b7\u8a18\u61b6\u8207\u6b77\u53f2\u66b4\u529b\u3009('Feminine' Fear and Obsession: A Discussion on Traumatic Memory and Historical Violence in Mo Yan's Novels)\uff0c\u8f09\u53f0\u7063\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u5b78\u6703\uff0c\u300a\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u534a\u5e74\u520a\u300b(Modern Chinese Literature)\u7b2c22 \u671f(2012\u5e7412\u6708)\uff0c\u9801233-252\u3002(THCI)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u8ad6\u5289\u5436\u9dd7\u3001\u7a46\u6642\u82f1\u548c\u5f35\u611b\u73b2\u5c0f\u8aaa\u7684\u300c\u96fb\u5f71\u8996\u89ba\u5316\u8868\u8ff0\u300d\u3009(A Discussion on \u201cVisual Expression\u201d in the Novels of Liu Na'ou, Mu Shiying and Eileen Chang)\uff0c\u8f09\u53f0\u7063\u4e2d\u592e\u5927\u5b78\u6587\u5b78\u9662\uff0c\u300a\u4e2d\u592e\u5927\u5b78\u4eba\u6587\u5b78\u5831\u300b(National Central University Journal of Humanities)\u7b2c50\u671f(2012\u5e744\u6708)\uff0c\u980173-130\u3002(THCI)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5f9e\u300a\u6c89\u6dea\u300b\u770b\u90c1\u9054\u592b\u7684\u500b\u9ad4\u53ca\u570b\u5bb6\u610f\u8b58\u3009\uff0c\u8f09\u83ef\u6771\u5e2b\u7bc4\u5927\u5b78\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u8cc7\u6599\u8207\u7814\u7a76\u4e2d\u5fc3\uff0c\u300a\u73fe\u4ee3\u4e2d\u6587\u5b78\u520a\u300b\u300c\u90c1\u9054\u592b\u7814\u7a76\u5c08\u8f2f\u300d\uff0c2011\u5e7410\u6708\u7b2c5\u671f\uff0c\u980139-43\u3002(Refereed)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u4ed6\u8005\u2027\u8a8d\u540c\u2027\u8a18\u61b6\u2500\u2500\u8ad6\u5f35\u611b\u73b2\u7684\u9999\u6e2f\u66f8\u5beb\u3009(The Other, Identification, and Memory: A Discussion on Eileen Chang's Writings about Hong Kong)\uff0c\u8f09\u53f0\u7063\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u5b78\u6703\uff0c\u300a\u4e2d\u570b\u73fe\u4ee3\u6587\u5b78\u534a\u5e74\u520a\u300b(Modern Chinese Literature)\u7b2c19\u671f(2011\u5e747\u6708)\uff0c\u980147-75\u3002(THCI)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u300c\u53cd\u5a9a\u4fd7\u300d\uff1a\u8ad6\u5f35\u611b\u73b2\u96fb\u5f71\u5287\u4f5c\u5c0d\u901a\u4fd7\u5287\u6a21\u5f0f\u7684\u8d85\u8d8a\u3009(\u201cAnti-Kitsch\u201d: Discussion on How Zhang Ailing's Movie Scripts Transcend the Patterns of Melodrama)\uff0c\u8f09\u53f0\u7063\u4e2d\u592e\u5927\u5b78\u6587\u5b78\u9662\uff0c\u300a\u4e2d\u592e\u5927\u5b78\u4eba\u6587\u5b78\u5831\u300b(National Central University Journal of Humanities)\u7b2c40\u671f(2009\u5e7410\u6708)\uff0c\u9801173-238\u3002(THCI)<\/li><li>\u6881\u6155\u9748\uff1a\u3008\u5f9e\u300c\u8b1b\u6545\u4e8b\u300d\u5230\u300c\u5c0f\u8aaa\u300d\u2500\u2500\u8ad6\u5f35\u611b\u73b2\u5c0f\u8aaa\u4e2d\u7684\u8a18\u61b6\u8f49\u5316\u3009(From 'Storytelling' to 'Novel': an examination of memory transformation in Zhang Ailing's novels)\uff0c\u8f09\u53f0\u7063\u4e2d\u592e\u5927\u5b78\u6587\u5b78\u9662\uff0c\u300a\u4e2d\u592e\u5927\u5b78\u4eba\u6587\u5b78\u5831\u300b(National Central University Journal of Humanities)\u7b2c39\u671f(2009\u5e747\u6708)\uff0c\u980199-152\u3002(THCI)<\/li><\/ul><h3 class=\"content-box-heading\" data-inline-fontsize=\"true\" data-inline-lineheight=\"true\" data-fontsize=\"18\" data-lineheight=\"23\"><strong>Selected Professional &amp; Community Services<\/strong><\/h3><ul><li>Hong Kong Arts Development Examiners (Literary Arts), 1 Jan 2018-30 June 2020<\/li><li>\u201cLe French May\u201d Public Lecture: \u201cExperience the French Way of Life: Films, Literature &amp; Music: Gender and Gaze: Visuality in the Fiction and Film of Marguerite Duras's The Lover\u201d (\u300a\u6cd5\u570b\u4e94\u6708\u300b\u516c\u958b\u8b1b\u5ea7\uff1a\u300c\u9ad4\u9a57\u6cd5\u570b\uff1a\u96fb\u5f71\u2027\u6587\u5b78\u2027\u97f3\u6a02\u2500\u2500\u6027\u5225\u8207\u51dd\u8996\uff1a\u8ad6\u8392\u54c8\u7d72\u300a\u60c5\u4eba\u300b\u5c0f\u8aaa\u548c\u96fb\u5f71\u6539\u7de8\u4e2d\u7684\u8996\u89ba\u6027\u300d), 4 May 2017<\/li><li>\u50f1\u54e1\u518d\u57f9\u8a13\u5c40\uff1a\u300c\u901a\u7528\u6280\u80fd\u2500\u2500\u4e2d\u6587\u50b3\u610f\u6280\u8853\u9867\u554f\u300d, 1 Apr 2017-31 Mar 2019<\/li><li>Gave 3 talks to Project WeCan Joint School Development Days, CWFA, OUHK Tin Ka Ping Centre of Chinese Culture, coordinated with Hong Kong Institute of Educational Research, The Chinese University of Hong Kong, 17 March 2017, 24 March 2017 and 31 March 2017<\/li><li>\u9999\u6e2f\u516c\u5171\u5716\u66f8\u9928\u4e3b\u8fa6\u300c\u7b2c\u5341\u4e00\u5c46\u9999\u6e2f\u6587\u5b78\u7bc0\uff1a\u8207\u6587\u5b78\u78b0\u9762\u300d\u6f14\u8b1b\uff0c\u984c\u76ee\u70ba\u300c\u5f9e\u4e0a\u6d77\u5230\u9999\u6e2f\uff1a\u8ad6\u7a46\u6642\u82f1\u7b46\u4e0b\u7684\u539f\u9109\u8207\u4ed6\u9109\u300d\uff0c2016\u5e747\u67082\u65e5\u3002<\/li><li>\u9999\u6e2f\u4ed4\u516c\u5171\u5716\u66f8\u9928\u5c08\u984c\u6f14\u8b1b\u5609\u8cd3\uff0c\u984c\u76ee\u70ba\u300c\u5f35\u611b\u73b2\u7684\u9999\u6e2f\u66f8\u5beb\u300d\uff0c2015\u5e748\u670822\u65e5\u3002<\/li><li>\u300c\u7b2c\u4e09\u5c46MICHELIN\u9053\u8def\u5b89\u5168\u610f\u8b58\u5168\u6e2f\u5b78\u751f\u7e6a\u756b\u3001\u77ed\u7247\u5275\u4f5c\u6bd4\u8cfd\u300d\u8a55\u5be9\uff0c2015\u5e745\u6708\u3002<\/li><li>\u300c\u4e16\u754c\u83ef\u6587\u5275\u610f\u5beb\u4f5c\u5927\u6703\u300d(\u4e16\u754c\u83ef\u6587\u5275\u610f\u5beb\u4f5c\u5354\u6703\u7b2c\u4e8c\u5c46\u7406\u4e8b\u6703\u5e38\u52d9\u7406\u4e8b)\u5c08\u59d4\u6703\u4e3b\u4efb\u59d4\u54e1\uff1a\u5275\u610f\u5beb\u4f5c\u7522\u696d\u767c\u5c55\u59d4\u54e1\u6703\u4e3b\u4efb\u59d4\u54e1(\u4e94\u5e74\u4efb\u671f2015-2020)<\/li><li>Journal Referees of Sino Humanitas (\u300a\u4eba\u6587\u4e2d\u570b\u5b78\u5831\u300b\u8ad6\u6587\u8a55\u5be9)\uff0c2012\u5e7410\u6708\u3002<\/li><li>Examiner of Chinese Language and Culture (ASL), paper 1A, 2, 4; Examiner of Chinese Language (CE), paper 2, Hong Kong Examination and Assessment Authority, 2005-2007, 2009-2010.<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Associate Professor <br \/>\nHead, Department of Creative Arts <br \/>\nDirector, HKMU Tin Ka Ping Centre of Chinese Culture <br \/>\nrmlleung@hkmu.edu.hk<\/p>\n","protected":false},"author":1,"featured_media":19365,"comment_status":"open","ping_status":"open","sticky":false,"template":"page.php","format":"standard","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"categories":[81,82,84,4,1,91,86,89,90,87,88],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.3 (Yoast SEO v21.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dr. LEUNG Mo Ling Rebecca - Creative Writing and Film Arts - Hong Kong Metropolitan University<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hkmu.edu.hk\/cwfa\/head\/dr-leung-mo-ling-rebecca\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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