{"id":50644,"date":"2025-05-12T10:57:20","date_gmt":"2025-05-12T02:57:20","guid":{"rendered":"https:\/\/www.hkmu.edu.hk\/as\/?page_id=50644"},"modified":"2025-05-12T11:15:28","modified_gmt":"2025-05-12T03:15:28","slug":"hulijing-tushanjiao-hiddengirl","status":"publish","type":"page","link":"https:\/\/www.hkmu.edu.hk\/as\/research\/ridch\/hulijing-tushanjiao-hiddengirl\/","title":{"rendered":"Hulijing, Tushan Jiao, and The Hidden Girl: Chinese Myths and Chuanqi in Punk-infected Chinese Sci-Fi"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"50644\" class=\"elementor elementor-50644\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"has_eae_slider wavo-column-gap-default elementor-section elementor-top-section elementor-element elementor-element-08e7a0e elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"08e7a0e\" data-element_type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[{&quot;jet_parallax_layout_image&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;_id&quot;:&quot;2c635c5&quot;,&quot;jet_parallax_layout_image_tablet&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_image_mobile&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_speed&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:50,&quot;sizes&quot;:[]},&quot;jet_parallax_layout_type&quot;:&quot;scroll&quot;,&quot;jet_parallax_layout_direction&quot;:null,&quot;jet_parallax_layout_fx_direction&quot;:null,&quot;jet_parallax_layout_z_index&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x&quot;:50,&quot;jet_parallax_layout_bg_x_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y&quot;:50,&quot;jet_parallax_layout_bg_y_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size&quot;:&quot;auto&quot;,&quot;jet_parallax_layout_bg_size_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_animation_prop&quot;:&quot;transform&quot;,&quot;jet_parallax_layout_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;]}]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a3526d0\" data-id=\"a3526d0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cf68b68 elementor-widget elementor-widget-text-editor\" data-id=\"cf68b68\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p style=\"font-size: 16px;\"><strong>\u72d0\u72f8\u7cbe\u3001\u5857\u5c71\u5b0c\u548c\u96b1\u5a18\u2014\u2014\u79d1\u5e7b\u670b\u514b\u4ea4\u97ff\u4e2d\u7684\u4e2d\u570b\u795e\u8a71\u548c\u50b3\u5947<\/strong><\/p>\n<p style=\"font-size: 20px;\"><strong>Hulijing, Tushan Jiao, and The Hidden Girl: Chinese Myths and <i>Chuanqi<\/i> in Punk-infected Chinese Sci-Fi<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1398b49 elementor-widget elementor-widget-text-editor\" data-id=\"1398b49\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p style=\"text-align: center;\"><strong>Dr Xuying Yu<\/strong><\/p>\n<p style=\"text-align: center;\">16 April 2025<\/p>\n<p style=\"text-align: center;\">Seminar 8 for the series of &#8220;Chinese Mythology in the Digital Age&#8221;<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has_eae_slider wavo-column-gap-default elementor-section elementor-top-section elementor-element elementor-element-980db7a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"980db7a\" data-element_type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[{&quot;jet_parallax_layout_image&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;_id&quot;:&quot;7579105&quot;,&quot;jet_parallax_layout_image_tablet&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_image_mobile&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;},&quot;jet_parallax_layout_speed&quot;:{&quot;unit&quot;:&quot;%&quot;,&quot;size&quot;:50,&quot;sizes&quot;:[]},&quot;jet_parallax_layout_type&quot;:&quot;scroll&quot;,&quot;jet_parallax_layout_direction&quot;:null,&quot;jet_parallax_layout_fx_direction&quot;:null,&quot;jet_parallax_layout_z_index&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x&quot;:50,&quot;jet_parallax_layout_bg_x_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_x_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y&quot;:50,&quot;jet_parallax_layout_bg_y_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_y_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size&quot;:&quot;auto&quot;,&quot;jet_parallax_layout_bg_size_tablet&quot;:&quot;&quot;,&quot;jet_parallax_layout_bg_size_mobile&quot;:&quot;&quot;,&quot;jet_parallax_layout_animation_prop&quot;:&quot;transform&quot;,&quot;jet_parallax_layout_on&quot;:[&quot;desktop&quot;,&quot;tablet&quot;]}]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3efd23a\" data-id=\"3efd23a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-99c8bc2 elementor-widget elementor-widget-gallery\" data-id=\"99c8bc2\" data-element_type=\"widget\" data-settings=\"{&quot;columns&quot;:2,&quot;lazyload&quot;:&quot;yes&quot;,&quot;gallery_layout&quot;:&quot;grid&quot;,&quot;columns_tablet&quot;:2,&quot;columns_mobile&quot;:1,&quot;gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:10,&quot;sizes&quot;:[]},&quot;link_to&quot;:&quot;file&quot;,&quot;aspect_ratio&quot;:&quot;3:2&quot;,&quot;overlay_background&quot;:&quot;yes&quot;,&quot;content_hover_animation&quot;:&quot;fade-in&quot;}\" data-widget_type=\"gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-gallery__container\">\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/ridch-8-1.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-99c8bc2\" data-elementor-lightbox-title=\"ridch 8-1\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/ridch-8-1-1024x768.jpg\" data-width=\"960\" data-height=\"720\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<a class=\"e-gallery-item elementor-gallery-item elementor-animated-content\" href=\"https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/ridch-8-2.jpg\" data-elementor-open-lightbox=\"yes\" data-elementor-lightbox-slideshow=\"all-99c8bc2\" data-elementor-lightbox-title=\"ridch 8-2\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/ridch-8-2-1024x768.jpg\" data-width=\"960\" data-height=\"720\" alt=\"\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-203efdd elementor-widget elementor-widget-text-editor\" data-id=\"203efdd\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<p style=\"text-align: justify;\">This seminar explores the dynamic reimagining of Chinese mythology and <i>chuanqi<\/i> (legendary tales) within contemporary Chinese sci-fi punk subgenres, including cyberpunk, silkpunk, bronzepunk, and solarpunk. Centering on three archetypal female figures\u2014the <i>hulijing<\/i> (fox spirit), the mythic matriarch Tushan Jiao, and the subversive assassin-nun Hidden Girl (<i>Yin Niang<\/i>)\u2014the discussion traces their evolution from traditional roles (e.g., seductive femmes fatales or passive figures) into agents of rebellion, such as cyborg hunters and urban planners. These narratives reflect broader tensions between cultural identity and punk-inflected deconstruction, interrogating gender norms, anti-capitalist and decolonial resistance, and posthumanist agency.<\/p>\n\n<div><\/div>\n<p style=\"text-align: justify;\">The analysis highlights how punk aesthetics\u2014rooted in DIY ethics, anti-authoritarianism, and dystopian critique\u2014intersect with Chinese mythic tropes to generate innovative reinterpretations, as seen in silkpunk, solarpunk, and bronzepunk. A central question arises: What makes Chinese sci-fi distinctly Chinese? Dr. Yu further expands this inquiry by examining Sinophone sci-fi, drawing on examples such as Liu Cixin's <i>China 2185<\/i>, Chen Qiufan's <i>The Waste Tide<\/i>, Ken Liu's <i>The Grace of Kings<\/i>, and Albert Tam's <i>Humanoid Software<\/i>. Special attention is given to the hulijing in Ken Liu's <i>Good Hunting<\/i>, Tushan Jiao in Gu Shi's <i>City of Choice<\/i>, and <i>Yin Niang<\/i> in Ken Liu's <i>The Hidden Girl<\/i>.<\/p>\n<div><\/div>\n<p style=\"text-align: justify;\">Ultimately, the seminar argues that Chinese sci-fi punk derives its power from a dual engagement: deconstructing mythic stereotypes while weaponizing them for contemporary critique. By destabilizing fixed identities, these narratives not only revitalize mythical traditions but also forge radical futures in which myth becomes a medium for resistance. The talk concludes by situating this trend of punk-inflected mythmaking within the broader landscape of emerging techno-imaginaries.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fb3ba45 elementor-widget elementor-widget-spacer\" data-id=\"fb3ba45\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u72d0\u72f8\u7cbe\u3001\u5857\u5c71\u5b0c\u548c\u96b1\u5a18\u2014\u2014\u79d1\u5e7b\u670b\u514b\u4ea4\u97ff\u4e2d\u7684\u4e2d\u570b\u795e\u8a71\u548c\u50b3\u5947 Hulijing, Tushan Jiao, and The Hidden Girl: Chinese Myths and Chuanqi in Punk-infected Chinese Sci-FiDr Xuying Yu 16 April 2025 Seminar 8 for the series of \"Chinese Mythology in the Digital Age\" This seminar explores the dynamic reimagining of Chinese mythology and chuanqi (legendary tales) within contemporary Chinese sci-fi punk subgenres, including cyberpunk, silkpunk,...<\/p>\n","protected":false},"author":566,"featured_media":0,"parent":428,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"content_default_2.php","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.3 (Yoast SEO v21.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hulijing, Tushan Jiao, and The Hidden Girl: Chinese Myths and Chuanqi in Punk-infected Chinese Sci-Fi - School of Arts and Social Sciences - Hong Kong Metropolitan University<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.hkmu.edu.hk\/as\/research\/ridch\/hulijing-tushanjiao-hiddengirl\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hulijing, Tushan Jiao, and The Hidden Girl: Chinese Myths and Chuanqi in Punk-infected Chinese Sci-Fi\" \/>\n<meta property=\"og:description\" content=\"\u72d0\u72f8\u7cbe\u3001\u5857\u5c71\u5b0c\u548c\u96b1\u5a18\u2014\u2014\u79d1\u5e7b\u670b\u514b\u4ea4\u97ff\u4e2d\u7684\u4e2d\u570b\u795e\u8a71\u548c\u50b3\u5947 Hulijing, Tushan Jiao, and The Hidden Girl: Chinese Myths and Chuanqi in Punk-infected Chinese Sci-FiDr Xuying Yu 16 April\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.hkmu.edu.hk\/as\/research\/ridch\/hulijing-tushanjiao-hiddengirl\/\" \/>\n<meta property=\"og:site_name\" content=\"School of Arts and Social Sciences - 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