{"id":51088,"date":"2025-05-23T11:04:13","date_gmt":"2025-05-23T03:04:13","guid":{"rendered":"https:\/\/www.hkmu.edu.hk\/as\/?page_id=51088"},"modified":"2025-05-23T13:36:15","modified_gmt":"2025-05-23T05:36:15","slug":"%e8%ac%9b%e5%ba%a7%e7%b3%bb%e5%88%97%ef%bc%88%e4%b8%80%ef%bc%89","status":"publish","type":"page","link":"https:\/\/www.hkmu.edu.hk\/as\/tc\/teaching-and-learning\/%e5%bc%b5%e6%84%9b%e7%8e%b2%e3%80%81%e5%ae%8b%e6%b7%87%e5%8f%8a%e5%ae%8b%e9%84%ba%e6%96%87%e7%be%8e%e6%89%8b%e7%a8%bf%e9%81%ba%e7%89%a9%e6%8d%90%e8%b4%88%e8%a8%88%e5%8a%83\/%e5%bc%b5%e6%84%9b%e7%8e%b2%e3%80%81%e5%ae%8b%e6%b7%87%e5%8f%8a%e5%ae%8b%e9%84%ba%e6%96%87%e7%be%8e%e8%ac%9b%e5%ba%a7%e7%b3%bb%e5%88%97\/%e8%ac%9b%e5%ba%a7%e7%b3%bb%e5%88%97%ef%bc%88%e4%b8%80%ef%bc%89\/","title":{"rendered":"\u8b1b\u5ea7\u7cfb\u5217\uff08\u4e00\uff09"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"51088\" class=\"elementor elementor-51088 elementor-50995\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"has_eae_slider wavo-column-gap-default elementor-section elementor-top-section elementor-element elementor-element-35ee418 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"35ee418\" data-element_type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-619c652\" data-id=\"619c652\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7e41031 elementor-widget elementor-widget-text-editor\" data-id=\"7e41031\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<table><tbody><tr><td colspan=\"2\"><b><strong>\u5f35\u611b\u73b2\u3001\u5b8b\u6dc7\u53ca\u5b8b\u913a\u6587\u7f8e\u8b1b\u5ea7\u7cfb\u5217\u4e4b\u4e00<br \/>Eileen Chang, Stephen Soong, and Mae Fong Soong Lecture Series #1<br \/>\u5f35\u8154\u4e4b\u70ba\u8154\uff1a\u4ee5\u89e3\u69cb\u8207\u6a21\u4eff\u5f35\u611b\u73b2\u62d3\u5c55\u5275\u4f5c\u65b9\u6cd5<br \/>Chang&#8217;s Style as a Style: Expanding Creative Methods through Deconstructing and Imitating Eileen Chang<\/strong><\/b><\/td><\/tr><tr><td class=\"style4\"><div>\u8b1b\u5ea7\u4e3b\u984c\uff1a<\/div><\/td><td class=\"style4\"><div><b><strong>\u5f35\u8154\u4e4b\u70ba\u8154\uff1a\u4ee5\u89e3\u69cb\u8207\u6a21\u4eff\u5f35\u611b\u73b2\u62d3\u5c55\u5275\u4f5c\u65b9\u6cd5<\/strong><\/b><\/div><\/td><\/tr><tr><td class=\"style4\">\u4e3b\u8b1b\u5609\u8cd3\uff1a<\/td><td class=\"style4\"><strong>\u66fe\u7e41\u88d5\u535a\u58eb\uff08\u9999\u6e2f\u6d78\u6703\u5927\u5b78\u4e2d\u570b\u8a9e\u8a00\u6587\u5b78\u7cfb\u52a9\u7406\u6559\u6388\uff09<\/strong><\/td><\/tr><tr><td class=\"style4\">\u4e3b\u6301\uff1a<\/td><td class=\"style4\">\u6881\u6155\u9748\u535a\u58eb\uff08\u9999\u6e2f\u90fd\u6703\u5927\u5b78\u4eba\u6587\u793e\u6703\u79d1\u5b78\u9662\u526f\u9662\u9577\u3001\u526f\u6559\u6388\uff09\u3001<br \/>\u90b5\u68df\u535a\u58eb\uff08\u9999\u6e2f\u90fd\u6703\u5927\u5b78\u4eba\u6587\u793e\u6703\u79d1\u5b78\u9662\u7f72\u7406\u5275\u610f\u85dd\u8853\u5b78\u7cfb\u4e3b\u4efb\u3001\u52a9\u7406\u6559\u6388\uff09<\/td><\/tr><tr><td class=\"style4\">\u4e3b\u8fa6\u55ae\u4f4d\uff1a<\/td><td class=\"style4\">\u9999\u6e2f\u90fd\u6703\u5927\u5b78\u4eba\u6587\u793e\u6703\u79d1\u5b78\u9662\u3001\u5927\u5b78\u5716\u66f8\u9928\u3001\u7530\u5bb6\u70b3\u4e2d\u83ef\u6587\u5316\u4e2d\u5fc3<\/td><\/tr><tr><td class=\"style4\">\u5354\u8fa6\u55ae\u4f4d\uff1a<\/td><td class=\"style4\">\u5275\u610f\u85dd\u8853\u5b78\u7cfb\u3001\u4eba\u6587\u3001\u8a9e\u8a00\u8207\u7ffb\u8b6f\u5b78\u7cfb<\/td><\/tr><tr><td class=\"style4\"><div>\u65e5\u671f\uff1a<\/div><\/td><td class=\"style4\">2025\u5e744\u67082\u65e5\uff08\u661f\u671f\u4e09\uff09<\/td><\/tr><tr><td class=\"style4\" valign=\"top\">\u6642\u9593\uff1a<\/td><td class=\"style4\"><div>\u4e0b\u53487\u6642\u81f39\u6642<\/div><\/td><\/tr><tr><td class=\"style4\">\u5730\u9ede\uff1a<\/td><td class=\"style4\">\u9999\u6e2f\u90fd\u6703\u5927\u5b78\u8cfd\u99ac\u6703\u6821\u5712D\u5ea73\u6a13\u5442\u8f9b\uff08\u632f\u842c\uff09\u6f14\u8b1b\u5ef3\uff08D0309\u5ba4\uff09<\/td><\/tr><tr><td class=\"style4\">\u8a9e\u8a00\uff1a<\/td><td class=\"style4\">\u5ee3\u6771\u8a71<\/td><\/tr><\/tbody><\/table><div>\u00a0<\/div><div><b><strong>\u6458\u8981 Abstract<\/strong><\/b><\/div><div>\u00a0<\/div><p>\u738b\u5fb7\u5a01\u5f62\u5bb9\u5f35\u611b\u73b2\u7684\u5275\u4f5c\u751f\u6210\u300c\u8e35\u4e8b\u589e\u83ef\u7684\u885d\u52d5\u300d\uff0c\u69cb\u6210\u300c\u91cd\u8986\u300d\u3001\u300c\u56de\u65cb\u300d\u53ca\u300c\u884d\u751f\u300d\u7684\u6558\u4e8b\u5b78\uff0c\u9019\u65e2\u662f\u5f35\u611b\u73b2\u7562\u751f\u5275\u4f5c\u7684\u8981\u5fb5\uff0c\u4ea6\u662f\u5f15\u4eba\u4eff\u6548\u7684\u539f\u56e0\u3002\u7531\u6b64\uff0c\u5f35\u8154\u6210\u70ba\u8154\uff0c\u6210\u70ba\u4e00\u689d\u82e5\u96b1\u82e5\u73fe\u5730\u5b58\u5728\u65bc\u5169\u5cb8\u4e09\u5730\u5c0f\u8aaa\u7684\u8108\u7d61\u3002\u6309\u6b64\uff0c\u89e3\u69cb\u5f35\u611b\u73b2\u5c0d\u4e16\u754c\u666e\u904d\u800c\u4e16\u6545\u7684\u7406\u89e3\uff0c\u4ee5\u53ca\u5979\u662f\u5982\u4f55\u901a\u4fd7\u5730\u5448\u73fe\u986f\u5f97\u5c24\u70ba\u91cd\u8981\u4e86\uff0c\u56e0\u70ba\u9019\u53ef\u5316\u6210\u8de8\u8d8a\u6642\u4ee3\u8207\u8655\u5883\u7684\u6c38\u6046\u516c\u5f0f\uff0c\u7528\u4ee5\u6301\u7e8c\u751f\u6210\u5bcc\u9b45\u529b\u7684\u6292\u60c5\u6587\u5b78\u3002\u672c\u8b1b\u5ea7\u5c07\u5f9e\u670d\u98fe\u3001\u8eab\u9ad4\u548c\u5c0d\u8a71\u65b9\u9762\uff0c\u601d\u8003\u5f35\u611b\u73b2\u5851\u9020\u4eba\u7269\u8207\u5275\u9020\u4eba\u7269\u4e92\u52d5\u7684\u5de7\u601d\uff0c\u5f15\u5c0e\u5927\u5bb6\u4ee3\u5165\u5275\u4f5c\u4e3b\u9ad4\u4e26\u96a8\u4e4b\u62d3\u5c55\u5275\u4f5c\u7586\u57df\u3002<\/p><p>David Der-wei Wang describes Eileen Chang's creation as an 'impulse to enhance and embellish', forming a narratology of 'repetition', 'involution', and 'derivation'. This is not only a hallmark of Eileen Chang's lifelong work but also a reason why others imitate her, making Chang's style a subtle thread within the fictional context of Cross-Strait and Three Regions. Therefore, deconstructing Eileen Chang's sophisticated and worldly understanding and how she presents it through the popular genre is particularly important because these can be transformed into a timeless formula that transcends eras and situations, generating charming expression of lyrical literature. This lecture will explore Eileen Chang's ingenuity in character configuration and interaction through aspects of clothing, body, and dialogue, guiding attendants to immerse themselves in the creative subject and then expand the creative realm.<\/p><p>\u66fe\u7e41\u88d5\u535a\u58eb\uff0c\u9999\u6e2f\u6d78\u6703\u5927\u5b78\u52a9\u7406\u6559\u6388\uff0c\u5206\u5225\u65bc\u9999\u6e2f\u5927\u5b78\u53ca\u502b\u6566\u5927\u5b78\u570b\u738b\u5b78\u9662\u5b8c\u6210\u6bd4\u8f03\u6587\u5b78\u78a9\u58eb\u53ca\u535a\u58eb\u5b78\u4f4d\uff0c\u66fe\u4efb\u82f1\u570b\u6f22\u5b78\u7814\u7a76\u751f\u6703\u4e3b\u5e2d\u548c\u53f2\u4e39\u798f\u5927\u5b78\u53ca\u65b0\u52a0\u5761\u570b\u7acb\u5927\u5b78\u8a2a\u554f\u5b78\u4eba\uff0c\u4e26\u5728\u4e2d\u5c71\u5927\u5b78\u64d4\u4efb\u526f\u7814\u7a76\u54e1\u3002\u4ed6\u7684\u7814\u7a76\u6210\u679c\u9664\u5728\u725b\u6d25\u5927\u5b78\u3001\u528d\u6a4b\u5927\u5b78\u3001\u5317\u4eac\u5927\u5b78\u3001\u570b\u7acb\u81fa\u7063\u5927\u5b78\u3001\u54e5\u672c\u54c8\u6839\u5927\u5b78\u53ca\u8036\u8def\u6492\u51b7\u5e0c\u4f2f\u4f86\u5927\u5b78\u7b49\u4e3b\u8fa6\u7684\u5b78\u8853\u6703\u8b70\u767c\u8868\u5916\uff0c\u53e6\u7d93Routledge\u51fa\u7248\u5c08\u8457\u300aChinese Educated Youth Literature: Ambivalent Bodies and Personal Literary Histories\u300b\u3002\u6b64\u5916\uff0c\u7372\u6587\u5b78\u734e\u591a\u9805\uff0c\u5df2\u51fa\u7248\u4e94\u672c\u5c0f\u8aaa\uff0c\u5206\u5225\u662f\u300a\u65e5\u65e5\u300b\uff082010\uff09\u3001\u300a\u4f4e\u6c34\u5e73\u611b\u60c5\u300b\uff082012\uff09\u3001\u300a\u7121\u8072\u7684\u611b\u617e\u8207\u865b\u7121\u300b\uff082014\uff09\u3001\u300a\u5f8c\u4eba\u985e\u6642\u4ee3\u7684\u5b83\u5011\u300b\uff082018\uff09\u548c\u300a\u4e09\u300b\uff082022\uff09\u3002<\/p><p>Dr. Gabriel F. Y. Tsang, currently Assistant Professor at Hong Kong Baptist University, completed his PhD and MA degrees in Comparative Literature at King's College London and the University of Hong Kong respectively. He formerly served the British Postgraduate Network for Chinese Studies as President, stayed as a visiting scholar at Stanford University and the National University of Singapore, and worked as Associate Researcher at Sun Yat-sen University. His research outcomes were presented at the academic conferences held by the University of Oxford, the University of Cambridge, Peking University, National Taiwan University, the University of Copenhagen, the Hebrew University of Jerusalem, etc., His first academic book Chinese Educated Youth Literature: Ambivalent Bodies and Personal Literary Histories has been published via Routledge recently. As a writer, he won some literary awards in Hong Kong and published five fictional works, namely Stand (2010), Low-Level Love (2012), Silent Desire and Nothingness (2014), Love in the Era of Post-human (2018), and Three (2022).<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"has_eae_slider elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-808586f\" data-id=\"808586f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e1bab19 elementor-widget elementor-widget-image-gallery\" data-id=\"e1bab19\" data-element_type=\"widget\" data-widget_type=\"image-gallery.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-image-gallery\">\n\t\t\t\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 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decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/HKMU_TKPCCC_Public-Seminar_20250402_\u66fe\u7e41\u88d5\u535a\u58eb-Poster.jpg 1587w, https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/HKMU_TKPCCC_Public-Seminar_20250402_\u66fe\u7e41\u88d5\u535a\u58eb-Poster-212x300.jpg 212w, https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/HKMU_TKPCCC_Public-Seminar_20250402_\u66fe\u7e41\u88d5\u535a\u58eb-Poster-724x1024.jpg 724w, https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/HKMU_TKPCCC_Public-Seminar_20250402_\u66fe\u7e41\u88d5\u535a\u58eb-Poster-768x1086.jpg 768w, https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/HKMU_TKPCCC_Public-Seminar_20250402_\u66fe\u7e41\u88d5\u535a\u58eb-Poster-1086x1536.jpg 1086w, https:\/\/www.hkmu.edu.hk\/as\/wp-content\/uploads\/sites\/3\/2025\/05\/HKMU_TKPCCC_Public-Seminar_20250402_\u66fe\u7e41\u88d5\u535a\u58eb-Poster-1448x2048.jpg 1448w\" sizes=\"(max-width: 1587px) 100vw, 1587px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>\u5f35\u611b\u73b2\u3001\u5b8b\u6dc7\u53ca\u5b8b\u913a\u6587\u7f8e\u8b1b\u5ea7\u7cfb\u5217\u4e4b\u4e00 Eileen Chang, Stephen Soong, and Mae Fong Soong Lecture Series #1 \u5f35\u8154\u4e4b\u70ba\u8154\uff1a\u4ee5\u89e3\u69cb\u8207\u6a21\u4eff\u5f35\u611b\u73b2\u62d3\u5c55\u5275\u4f5c\u65b9\u6cd5 Chang's Style as a Style: Expanding Creative Methods through Deconstructing and Imitating Eileen Chang \u8b1b\u5ea7\u4e3b\u984c\uff1a \u5f35\u8154\u4e4b\u70ba\u8154\uff1a\u4ee5\u89e3\u69cb\u8207\u6a21\u4eff\u5f35\u611b\u73b2\u62d3\u5c55\u5275\u4f5c\u65b9\u6cd5 \u4e3b\u8b1b\u5609\u8cd3\uff1a \u66fe\u7e41\u88d5\u535a\u58eb\uff08\u9999\u6e2f\u6d78\u6703\u5927\u5b78\u4e2d\u570b\u8a9e\u8a00\u6587\u5b78\u7cfb\u52a9\u7406\u6559\u6388\uff09 \u4e3b\u6301\uff1a \u6881\u6155\u9748\u535a\u58eb\uff08\u9999\u6e2f\u90fd\u6703\u5927\u5b78\u4eba\u6587\u793e\u6703\u79d1\u5b78\u9662\u526f\u9662\u9577\u3001\u526f\u6559\u6388\uff09\u3001 \u90b5\u68df\u535a\u58eb\uff08\u9999\u6e2f\u90fd\u6703\u5927\u5b78\u4eba\u6587\u793e\u6703\u79d1\u5b78\u9662\u7f72\u7406\u5275\u610f\u85dd\u8853\u5b78\u7cfb\u4e3b\u4efb\u3001\u52a9\u7406\u6559\u6388\uff09 \u4e3b\u8fa6\u55ae\u4f4d\uff1a \u9999\u6e2f\u90fd\u6703\u5927\u5b78\u4eba\u6587\u793e\u6703\u79d1\u5b78\u9662\u3001\u5927\u5b78\u5716\u66f8\u9928\u3001\u7530\u5bb6\u70b3\u4e2d\u83ef\u6587\u5316\u4e2d\u5fc3 \u5354\u8fa6\u55ae\u4f4d\uff1a \u5275\u610f\u85dd\u8853\u5b78\u7cfb\u3001\u4eba\u6587\u3001\u8a9e\u8a00\u8207\u7ffb\u8b6f\u5b78\u7cfb \u65e5\u671f\uff1a 2025\u5e744\u67082\u65e5\uff08\u661f\u671f\u4e09\uff09 \u6642\u9593\uff1a \u4e0b\u53487\u6642\u81f39\u6642 \u5730\u9ede\uff1a \u9999\u6e2f\u90fd\u6703\u5927\u5b78\u8cfd\u99ac\u6703\u6821\u5712D\u5ea73\u6a13\u5442\u8f9b\uff08\u632f\u842c\uff09\u6f14\u8b1b\u5ef3\uff08D0309\u5ba4\uff09 \u8a9e\u8a00\uff1a \u5ee3\u6771\u8a71 \u6458\u8981 Abstract 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David Der-wei Wang describes Eileen Chang's...<\/p>\n","protected":false},"author":378,"featured_media":0,"parent":51083,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"content_default_2.php","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v17.3 (Yoast SEO v21.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u8b1b\u5ea7\u7cfb\u5217\uff08\u4e00\uff09 - School of Arts and Social Sciences - Hong Kong Metropolitan University<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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